I'm overhauling my ode-to-horror vid at the moment*. It's a complex, complicated mofo. The original edit ran 6 minutes (plus another minute of credits) and used clips from 233 horror films. It was also a shambling mess.
I've cut the song by two minutes, cutting a chorus and a verse. I'm rethinking the introduction and refocusing the vid back to its original point, which was an exploration of being a classic horror fan in a modern horror world.
Thing is, the process of making this vid has illuminated some deficiencies in my technique -- primarily in storytelling and constructed narrative. Does anybody know of any good resources on vidding style and technique (rather than technical resources)? I'm doing independent research in my personal library of books on cinema, but it's rather specific to standard narrative cinema.
* Thanks go to
bradcpu, whose encouraging words on the early cut of the vid gave me the confidence to start working on it again.
I've cut the song by two minutes, cutting a chorus and a verse. I'm rethinking the introduction and refocusing the vid back to its original point, which was an exploration of being a classic horror fan in a modern horror world.
Thing is, the process of making this vid has illuminated some deficiencies in my technique -- primarily in storytelling and constructed narrative. Does anybody know of any good resources on vidding style and technique (rather than technical resources)? I'm doing independent research in my personal library of books on cinema, but it's rather specific to standard narrative cinema.
* Thanks go to
bradcpu, whose encouraging words on the early cut of the vid gave me the confidence to start working on it again.RIP Uncle Tim
Feb. 3rd, 2010 02:49 pmMy Uncle Tim died this morning after a struggle with lung cancer. It wasn't an easy death, I'm told. Mom is going back to Des Moines on Friday for the funeral. Unfortunately, neither my sister or I can afford the trip out right now.
Of all of Mom's brothers, I was least close with Tim, but he was good people. He loved his family more than anything -- even more than Green Bay or the Cubs.
My heart goes out to Mom right now. She lost her mother nine months ago. Losing her little brother now seems too soon.
Of all of Mom's brothers, I was least close with Tim, but he was good people. He loved his family more than anything -- even more than Green Bay or the Cubs.
My heart goes out to Mom right now. She lost her mother nine months ago. Losing her little brother now seems too soon.
Someday, I'm going to write an essay titled "Miles Vorkosigan and the Longshot Effect." I swear to God, the guy has the most amazing luck so long as his intentions are pure and the worst luck when he's selfish. It's almost supernatural.
Ted Mosby Is(?) a Jerk
Jan. 25th, 2010 01:23 pmI'm kind of half-assed still working on the HIMYM chronology while I clip for my Barney/Robin vid, but I noticed something fascinating that can't really be explained away by Future!Ted as unreliable narrator.
( Spoilers for Season 3 )
( Spoilers for Season 3 )
Dammit HIMYM
Jan. 18th, 2010 11:48 pmMy attempts to construct a HIMYM chronology have been thwarted by the Victoria episodes.
I guess all of this can be handwaved by Older Ted not having the greatest memory ever (I mean, he did displace the goat by a year), but dammit. I was hoping Bays and Thomas, with their obsession with flashbacks and continuity, would've paid slightly better attention than this.
- The invite in "The Wedding" says that Claudia and Stuart's wedding is on "Saturday, February 10th." However, in 2006, February 10th was on a Friday. Throughout the episode, the characters refer to the wedding being on Saturday, though, so it might actually be a misprint.
- Except wait a minute. Ted and Victoria get together at the end of Drumroll Please, a day after the wedding. At the beginning of Zip Zip Zip, a Monday, Marshall says the two have been in Ted's room for two days. Meaning that the wedding really was on Friday, February 10th.
- In Zip Zip Zip, Ted and Victoria agree to hold off on sex for a month. Later in the episode, Ted says that, "the 18th can't get here fast enough." March 18th? Because, uh, that's a month and a week.
- Lily and Marshall's anniversary is inexplicably in the middle of March, despite the fact that they started going out sometime in their first semester of college. I'm less ornery about this one, because lots of couples have weird anniversaries that have nothing to do with when they first began dating.
I guess all of this can be handwaved by Older Ted not having the greatest memory ever (I mean, he did displace the goat by a year), but dammit. I was hoping Bays and Thomas, with their obsession with flashbacks and continuity, would've paid slightly better attention than this.
Still Alive
Jan. 18th, 2010 03:40 pmI haven't disappeared. I'm just busy busy busy.
1. My Club Vivid vid of awesomeness.
2. A Barney/Robin vid that I bunnied on over the weekend. I've been meaning to do one forever, then "Rough Patch" came along and killed my desire. However, I found the perfect song and now I'm laying down clips.
3. Just bunnied on my Vividcon Premieres vid. It's kind of my attempt to be
absolutedestiny, except I'll still be me (translation: I'll cling to the lyrics like a seat-cushion-turned-flotation-device). It's Classic Hollywood set to Classic 70s Rock.
4. For some reason, I feel this driving need to construct a How I Met Your Mother chronology.
5. At some point I tripped and fell face-first into my own web design firm? Don't ask me how. It's all very Vorkosigan-y. I have three projects lined up right now.
1. My Club Vivid vid of awesomeness.
2. A Barney/Robin vid that I bunnied on over the weekend. I've been meaning to do one forever, then "Rough Patch" came along and killed my desire. However, I found the perfect song and now I'm laying down clips.
3. Just bunnied on my Vividcon Premieres vid. It's kind of my attempt to be
absolutedestiny, except I'll still be me (translation: I'll cling to the lyrics like a seat-cushion-turned-flotation-device). It's Classic Hollywood set to Classic 70s Rock. 4. For some reason, I feel this driving need to construct a How I Met Your Mother chronology.
5. At some point I tripped and fell face-first into my own web design firm? Don't ask me how. It's all very Vorkosigan-y. I have three projects lined up right now.
Roger Ebert's take on James Lipton
Jan. 2nd, 2010 01:54 pmI mentioned this to some folks at the New Year's Eve party, so I felt I should link to it.
Back in 2007, it was revealed that James Lipton, host of "Inside the Actors Studio," had spent some time as a pimp in Paris, France. Roger Ebert, clearly having fun, decided to run with it.
Jimmy the Pimp: "You Don't Know How Good You Are!"
Back in 2007, it was revealed that James Lipton, host of "Inside the Actors Studio," had spent some time as a pimp in Paris, France. Roger Ebert, clearly having fun, decided to run with it.
I've been around this business a long time, and I've never seen your equal. You have that rare ability to transform an ordinary performance into a work of art. And your empathy is extraordinary! I was just observing your session with Fifi. Well, her birth name is Margaret, born in Des Moines, I believe, family with the Red Cross, but Fifi is her professional name, so to speak, and she's the kind of performer who really opens up when she feels the kind of rapport you bring into the room.
Jimmy the Pimp: "You Don't Know How Good You Are!"
As I've mentioned more than a few times here, I've been having a hell of a time getting my movie-reviewing groove back on. The last time I successfully completed a review was in August, which is simply ages in Internet-time. My total review output for 2009 was seven reviews (six for Classic-Horror.com and one for SciFiBlock.com), about one-third my average. I didn't write anything for C-H's annual Shocktober event, typically my writing high-tide.
So it's totally appropriate that when I finally got back on the horse, it was for a movie with a title like Black Dynamite. I went to see this at MADCAP with the visiting
coltsbane and it was (mostly) awesome. My review is over at Cinema-Geek (and yes, this makes eight reviews in 2009).
Can you dig it?
So it's totally appropriate that when I finally got back on the horse, it was for a movie with a title like Black Dynamite. I went to see this at MADCAP with the visiting
coltsbane and it was (mostly) awesome. My review is over at Cinema-Geek (and yes, this makes eight reviews in 2009). Can you dig it?
"The Vor Game" - Random Thought
Dec. 9th, 2009 04:01 pmJust finished Chapter 11. ( I was ready to give up... )
Title: Boris Karloff: Frontier Psychiatrist
Author: Jetpack Monkey
Song: The Avalanches - Frontier Psychatrist
Fandom: Classic horror movies
Summary: Starting with The Man They Could Not Hang, Columbia released four mad scientist films starring Boris Karloff in an eighteen-month period between 1939 and 1941. The other films in the series were The Man with Nine Lives, Before I Hang, and The Devil Commands. As a tribute, I created a short video to illustrate the general shared tone of the films and their similarities in structure, casting, theme, and direction.
The song I chose, The Avalanches' Frontier Psychiatrist, is constructed from audio clips and samples from previously recorded materials. I picked this song in particular because it calls attention to the fact that the Columbia Mad Scientist series was itself constructed from "used" parts, taking elements from Karloff's past successes in films like The Man Who Changed His Mind, The Invisible Ray, and even The Walking Dead.
Direct Youtube Link
Notes: This vid was created as Classic-Horror.com's contribution to the Boris Karloff Blogathon over at Frankensteinia, which is why my real name appears in the vid's opening credits.
Author: Jetpack Monkey
Song: The Avalanches - Frontier Psychatrist
Fandom: Classic horror movies
Summary: Starting with The Man They Could Not Hang, Columbia released four mad scientist films starring Boris Karloff in an eighteen-month period between 1939 and 1941. The other films in the series were The Man with Nine Lives, Before I Hang, and The Devil Commands. As a tribute, I created a short video to illustrate the general shared tone of the films and their similarities in structure, casting, theme, and direction.
The song I chose, The Avalanches' Frontier Psychiatrist, is constructed from audio clips and samples from previously recorded materials. I picked this song in particular because it calls attention to the fact that the Columbia Mad Scientist series was itself constructed from "used" parts, taking elements from Karloff's past successes in films like The Man Who Changed His Mind, The Invisible Ray, and even The Walking Dead.
Direct Youtube Link
Notes: This vid was created as Classic-Horror.com's contribution to the Boris Karloff Blogathon over at Frankensteinia, which is why my real name appears in the vid's opening credits.
CAR! ... GAME ON!
Oct. 13th, 2009 05:32 pmI'll make a more comprehensive post on the State of the Nate soon (tonight, probably, while avoiding doing my Shocktober reviews), but I have some very good news.
Or, more accurately, I will have a car starting Thursday. You see, my mom enters this raffle every year where the tickets are $100 each and the prizes are insanely cool. Last week she found out that, for the first time ever, she actually won something -- a new car. What kind of car doesn't matter, because she's trading it in for two used ones (one for her and one for her husband). The upshot for me is that I get her old 1999 Chevy Cavalier, which is in pretty good condition and should serve me well enough for tooling around town.
This is a great increase over my previous situation of not having a car and bumming a ride or asking people to pick me up from the light rail station every time I went to Tempe or Mesa.
Short version: Woot! CAR!
I have a car
Or, more accurately, I will have a car starting Thursday. You see, my mom enters this raffle every year where the tickets are $100 each and the prizes are insanely cool. Last week she found out that, for the first time ever, she actually won something -- a new car. What kind of car doesn't matter, because she's trading it in for two used ones (one for her and one for her husband). The upshot for me is that I get her old 1999 Chevy Cavalier, which is in pretty good condition and should serve me well enough for tooling around town.
This is a great increase over my previous situation of not having a car and bumming a ride or asking people to pick me up from the light rail station every time I went to Tempe or Mesa.
Short version: Woot! CAR!